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News

From the archive: The Festival of Britain

Rosamund Lily West, our Research Curator explores our involvement with the festival of 1951

24 Jun 2019

The Great Exhibition Road Festival 2019 is a three-day festival in South Kensington. The festival offers a programme bringing together the science and the arts, echoing the vision that Queen Victoria and Prince Albert had for the 1851 Great Exhibition, two centuries on from their birth in 1819. The

Article: Great Exhibition Road Festival

Sarah Berresford, Marketing & Communications Manager for Discover South Kensington invites you to explore the extraordinary this summer

04 Jun 2019

Leading cultural venues are joining forces to recreate the spirit of the Great Exhibition of 1851 for the 21st century. Over one weekend this summer, South Kensington’s Exhibition Road will host a celebration of curiosity and discovery, with a new, free festival of art, science and culture. Running

PARALLEL LINES: SCULPTURE AND DRAWING

13 May to 13 July, free entry

04 Jun 2019

This spring the Royal Society of Sculptors will be exploring the relationship between sculpture and drawing in its broadest sense in a new show, Parallel Lines: Sculpture and Drawing . Drawings from The Ingram Collection of Modern British Art are paired with drawings by contemporary sculptors, in a

From the archive: Pioneering Women

Barbara Tribe FRBS (1913 - 2000)

03 Jun 2019

Pioneering Women is a research project designed to shine a spotlight on the lives, careers and legacies of the talented and extraordinary women at the heart of the Royal Society of Sculptors. Each month in our Shape & Form enewsletter, our Research Curator, Rosamund Lily West will share with you

Article: Illustrating Frink

Illustrator Olivia Lomenech Gill reflects on her first Elisabeth Frink encounter

15 May 2019

My first encounter with Elisabeth Frink’s work was an image of a horse in the downstairs toilet at a neighbours house. I went home and made a drawing on a large blackboard in white chalk. My father took a photograph of it. Of course, my unconscious chalk homage to Elisabeth Frink was nothing special

From the archive: Pioneering Women

Christine Gregory FRBS (1879 - 1963)

15 May 2019

From the archive: Pioneering Women

Our new archive research project

01 Apr 2019

My name is Rosamund and I am the new Research Curator here at the Society working on the ‘Pioneering Women’ research project, funded by the Paul Mellon Centre. Each month in our Shape & Form enewsletter, I would like to share with you something from the archive, and introduce you to some of the

Stephen Broadbent running a Masterpieces in Schools activity at a primary school in Chester. Photo credit: Art UK.

Article: Royal Society of sculptors partners with Art UK

Katey Goodwin, Deputy Director of Art UK announces it's new UK-wide sculpture project

27 Feb 2019

Art UK has started adding sculpture to their website as part of a unique UK-wide cataloguing project. The first thousand sculptures are now available online, free of charge, to people in the UK and all over the globe via www.artuk.org An estimated 150,000 more will follow by the end of 2020. These

Art UK Sculpture Project

Major UK sculpture project launches online

22 Feb 2019

Today (22 February 2019) sees the launch of Art UK’s unique sculpture project. The first thousand sculptures are now available online, free of charge, to people in the UK and all over the globe via www.artuk.org. An estimated 150,000 more will follow by the end of 2020. These first images, and their

From the archive: Alice Meredith Williams ARBS

Phyllida Shaw unveils the life and work of a little known sculptor

05 Feb 2019

‘Small of stature and delicate in appearance, with visionary eyes, she acquired amid the rigours of her student life a power of endurance which supported her in the heaviest work, and no obstacles deterred her undaunted spirit from carrying out an idea.’ This description of Gertrude Alice Meredith

Article: In partnership with Grizedale Forest

Hazel Stone reflects on the forestry Commission's centenary and recent collaborations with the Royal Society of Sculptors

15 Jan 2019

Entering a new year is often a time of reflection as well as a time of optimistically looking to the future and this is particularly so for the Forestry Commission as it celebrates it’s centenary in 2019. Originally set up following the First World War to restore the nation’s woods and forests and

Elisabeth Frink in film

A film made in conjunction with the exhibition Elisabeth Frink: A Collector's Passion

23 Nov 2018

Modern British artist Elisabeth Frink spent much of her career living and working in her beautiful country home in Dorset, Woolland House. This film looks at how this environment inspired her explorations of nature and humanity, through sculptures and prints that are both aggressive and vulnerable.

Anne Acheson putting her finishing touches to a sculpture called October in the 1920s

From the Archive: Anne Acheson CBE FRBS

The legacy of a sculptor whose achievements in WW1 still perpetuate

31 Oct 2018

Anne Acheson (1882-1962) was a sculptor, born in Portadown, Co. Armagh. She studied architecture at the Royal College of Art, Kensington from 1906-1910. Subsequently her bespoke sculptures became popular in many houses and gardens. Her work was exhibited at the Royal Academy and she became the first

Conversation in Colour 6 - 27 Oct 2018

Paul Huxley RA and Holly Rowan Hesson

17 Sep 2018

The Line collaborates with the Royal Society of Sculptors to launch Conversation In Colour. London City Island, the new creative and cultural neighbourhood on Leamouth Peninsula, will host a brand new exhibition for Frieze London. Curated by the Royal Society of Sculptors, the exhibition will

Article: The Intermediary Family by Bharti Kher

Dea Vanagan, Hauser & Wirth Director, reflects on Kher's new artwork for Frieze Sculpture 2018

04 Sep 2018

In July, Frieze Sculpture returned to the English Gardens of Regent’s Park in London for its seventh edition. Curated by Clare Lilley, Director of Programme at Yorkshire Sculpture Park, 25 artists were selected through an open call by international galleries. With a mixture of existing and newly

Article: The Coffin Jump by Katrina Palmer

Helen Pheby, Senior Curator Yorkshire Sculpture Park discusses the park’s new 14-18 NOW installation

09 Jul 2018

The Coffin Jump by Katrina Palmer at Yorkshire Sculpture Park (YSP) is inspired by the role of women in the First World War, particularly the all-female First Aid Nursing Yeomanry (Princess Royal’s Volunteer Corps). The artwork features a horse jump with texts written in response to the nurses’

Phillip King, Download Stretch Float Maquette, 2013. Image courtesy the artist and Thomas Dane Gallery. Photo: Luke A Walker

DUOLOGUE, 24 Sept to 2 Dec 2018

A live collaboration between Phillip King CBE and Alexandre da Cunha

05 Jul 2018

Phillip King CBE and Alexandre da Cunha, two of the leading sculptors working in the UK today, are coming together for a unique ‘live collaboration’ at the Royal Society of Sculptors , offering us a rare opportunity to glimpse into the artist’s studio and discover their working practises.

New award for young sculptors launched

Residency at Milwyn for Royal Academy Schools graduate

18 Jun 2018

Charlie Fegan is the first ever winner of an exciting new award providing aspiring young sculptors the opportunity to pursue their artistic ambitions. The Royal Society of Sculptors Bronze Award offers a student graduating from the Royal Academy Schools a 3 to 6 month residency at Milwyn Casting, a

Big Draw winners!

Museum & Galleries Award

07 Jun 2018

The Royal Society of Sculptors is absolutely delighted to announce that we have won the international Big Draw Festival Museum & Galleries Award 2017/18.

In Memoriam III, outside Royal Society of Sculptors

Faces of Sculpture

Portrait of a Profession, An Exhibition of Photographs by Anne Purkiss

14 May 2018

14 May – 14 July 2018 “I see photographs as documents of people, recorded in the context of their environment and their time. The interpretation of my subjects, or my part of being creative, lies in selecting the context, the environment and the moment in time.” Faces of Sculpture is an exhibition

Out Of Body

Exploring the differences between animate and inanimate

13 May 2018

I am fascinated by the interconnectedness of the human and non-human as a means of exploring our relationship with impermanence.

Inspired by Nature

In collaboration with Grizedale Forest

12 May 2018

Part of Grizedale Forest’s 50th Anniversary of Arts and Culture in the forest. 

From the archive: Isaac Witkin (1936 - 2006)

Internationally renowned sculptor, Society member & Henry Moore's assistant

01 May 2018

Nadine Witkin, talks about her late father

William Pye in Film

06 Mar 2018

A new exhibition recording the life and career of the artist since the 1960s.

FIRST@108 Public Art Award

Sculpture Terrace

06 Mar 2018

As winner of the First@108 Public Art Award, Norfolk has been given the opportunity to create his first-large scale piece of art.  

Jo Taylor MRSS

A new collaboration with J Sheekey Atlantic Bar

16 Jan 2018

Society member wins competition to show at Covent Garden restaurant

Looking to the sky

With Turrell's Skyscape

03 Sep 2017

“Scientific perspective is nothing but eye-fooling illusionism; it is simply a trick - a bad trick - which makes it impossible for an artist to convey a full experience of space” (Braque) How many times have you looked into a rectangle today, and how many times have you looked through that frame

Encountering El Peine de los Vientos

by Eduardo Chillida in San Sebastian

23 Aug 2017

Leaving the Mirakontxa Pasealekus, I enter the promenade and walk in a westerly direction, the promenade narrows and in the distance I see El Peine de los Vientos; suddenly rock outcrops obscure the view and instead, deep visceral sounds are felt and heard. Continuing, the promenade leads to a

Exploring Sculpture in the City 2017

Powerful interactions with place

07 Jul 2017

In the densely-built labyrinth of the City of London, where I work, the Sculpture in the City exhibition each year causes at least a few bustling office workers (including me) to focus on a sculpture and its place in the environment. The best of this year’s works interact powerfully with their