Discipline

Architectural / Monumental / Relief

Figurative / Realism

Political/Religious

Portraiture

Material

Bronze

Fiberglass/Plastic/Resin

Granite/Marble/Stone

Metal (other)

Steel

Region

South East

Biography

My interest in the human form stems from an early growth-spurt manifesting in an awareness of posture and physique as a result my 6ʼ6ʼʼ frame. This awareness informed my natural talent in drawing, painting and sculpture, inherited from my grandmother, a contemporary of Henry Moore, and encouraged by my mother. Drawing, I believe, lies at the root of all the creative arts, and studies in the human form, essential to the demands of sculpture. As well as an acute awareness of balance, articulation and anatomy, I am also sensitive to the human condition, hopes, fears, vulnerabilities and aspirations. Whether representing emotion or dynamism; I am concerned only with capturing the spirit and essence of the subject.

https://www.youtube.com/watch?v=_eaW_rbjhCU The making of Nelson and Murray Sculpture