Fabio Lattanzi Antinori MRSS

Fabio Lattanzi Antinori is a London-based artist working across sculpture, sound, text, print, and interactive installation. His practice maps the systems—technological, linguistic, economic—that shape how we see, believe, and assign value. 
Working with data, voice, and algorithmic processes, he traces the slow, quiet collapse of meaning under the weight of automation, optimisation, and endless terms and conditions.

With a background in music and computation, his recent works explore the extractive logic of digital infrastructures and the colonial residues encoded in today’s cloud-based platforms. Language, in this context, becomes a resource—mined, refined, monetised—like oil, or boredom.

His works use glitch, mimicry, and a resistance to being clear, useful, or easily explained, inviting viewers to sit inside ambiguity, contradiction, or a system that keeps asking for feedback it will never read. He is interested in the moment a platform breaks into performance, or when a voice assistant starts sounding like it needs a therapist.

His research-led collaborations have included economists, choirs, fortune tellers, AI researchers, and opera singers. Often borrowing the design language of signage, bureaucracy, or brand tone guidelines, his works stage a kind of speculative admin theatre, where meaning flickers, loops, or logs you out for inactivity.

He recently unveiled The Invisible Compass, a permanent AI-driven public sculpture in London Victoria. Exhibitions include Chronicles of Future Superheroes (Museum of Contemporary Art Bucharest and Kunsthalle Bega), Chased by Unicorns (Pi Artworks, London and Istanbul), Frieze Sculpture, The Cost of Your Words, SeMA – Seoul Museum of Art, the Museum of Contemporary Art Shanghai, and the Victoria and Albert Museum.

Fabio has received the Lucas Artists Fellowship, the First Plinth Award, and the MMCA International Artist Residency. His works are held in the permanent collections of the V&A, MMCA Seoul, and SeMA.