About the artist
I make sculptures that explore what exists between things. I am less interested in creating objects than in creating relationships—between painting and sculpture, image and object, surface and volume, clarity and ambiguity. Geometry is the visual language of my work, but never its subject. I use it to build compositions that remain open, allowing different readings to emerge through movement, light, and changing viewpoints. Rather than offering fixed meanings, I want each work to reveal itself gradually through the viewer’s experience. Colour is an essential part of my sculptural language. It is never an addition or decoration, but an integral part of the work itself. Together with matte and reflective surfaces, colour shapes the perception of weight, depth, and space, creating a continuous dialogue between painting and sculpture. I am fascinated by transitions rather than oppositions. The spaces between forms are as important as the forms themselves. They are places where separation becomes connection, where absence becomes presence, and where meaning remains open. My work invites viewers to slow down, move around the sculpture, and discover that perception is always changing.