Biography
My current practice reflects an interest in the impact of science and technology on culture and society from the second half of the twentieth century through to the present day. Recent sculptural works and installations reference examples of civil and military defence architecture-such as nuclear bunkers and watchtowers- as well as the technologies associated with the transportation and storage of nuclear materials. These pieces incorporate video and/or audio elements that relate to the identity, function and location of these structures and reference the broader cultural and historical context in which they arose.
These themes are also explored in an ongoing series of drawings that involve the meticulous transcription of archival photographs and documents relating to the atomic energy and military weapons industries as well as the histories of protest against them.
Other works reflect a longstanding interest in elements of urban spaces that have been forgotten, overlooked or destroyed by the passage of time, neglect or conflict. One series of works- based on the climbing frames that furnished playgrounds in the UK from the late 1960's through to the 1980's- relates to my fascination with how space exploration, aeronautics and abstract sculpture influenced the language of design during this era. In making these works, I aim to explore the character of these play structures and reflect on how they have deteriorated over time, gradually disappearing from the urban landscape.