Discipline
Architectural / Monumental / Relief
Conceptual
Installation / Land / Site-specific
Material
Found Objects
Glass
Mixed media
Steel
Textile
Wood/Paper
Region
London
Biography
Arts Education
1993-1996 BA (Hons) Fine Art Sculpture, Glasgow School of Art
Degree show selected by Pavel Buchler for inclusion in the Schools Photographic archive.
1991-1993 BA(Hons) 3D Design, Middlesex University
1990-1991 Art Foundation Course Distinction, Middlesex University
Fellowship
2014- Fellow of the Royal Society of Arts
Membership
2019- Member of the Royal Society of Sculptors
Residencies
2019 Awarded residency at Hospitalfield House 11-24 March 2019
Finalist
2019 1st Plinth Public Art Award, Royal Society of Sculptors
Upcoming Exhibitions
2020 Studio Experiments, Fish Island POSPONED DUE TO COVID
2020 Gairloch Museum POSPONED DUE TO COVID
Other Work
2018/9 Teaching Key Stage 3 students the importance of creativity within Communities and how to apply creative thought to everyday practice.
2017 Mentor, Highgate School and London Academy of Excellence Tottenham.
2014- MSA Architectural Practice
Arts Consultancy, advising on the theoretical and visual aspects of Design and Art for Architectural Competitions.
2017 22Q13 Family Conference
Arts Workshop Leader. Responsible for the creation and implementation of workshops for siblings of children with 22Q13 chromosomal deletion.
2012 Vice Chair of Governors, Brookfield Community School, London.
1997 Fashion PR, Assistant to Mandi Lennard.
Recent Exhibitions and Art Work
2018 SPACE STUDIOS 50th Anniversary, Hackney Wick
Rubha nan Sasan/Point of difficulty; development of Sculptural project using three types of drawing.
Private Drawing Commission.
2017 Womens Refugee Commission NYC, design finalist.
Loch Ewe Sculpture, ACME, Bow.
2016 BEAM CAMP, Boston MA. Technical Construction Assistant for MSA.
My current work considers the topographical nature of dispersal amongst small scale structures, buildings and shelters, and their relationship and co-existence through different time spans and periods of history. My studio practice is based on Fish Island, by the Olympic Park, in London, and I have recently spent time in the west coast of Scotland where the less-densely habituated landscape has allowed buildings to naturally decompose and be reclaimed by the landscape in an un-hurried , un-accelerated process. Buildings that had very different purposes at the time of construction, with a single unifying theme of shelter. Some of these structures are built with modern materials such as concrete, others made simply of stone, before the availability of modern materials. I am currently exploring how to create a fictitious relationship between such structures, designing a sequential series of new sculptural repositories and shelters that cannot be easily defined by time or place, using a confusion of materials. As further designs are realised I expect my repositories to become less identifiable architecturally , and more sculpturally fluid in their nature.