17 March - 16 June 2021

The Royal Society of Sculptors showcased the work of Naomi Blake FRBS with an outdoor exhibition on its sculpture terrace. The exhibition celebrated Blake as part of the Society’s ‘Pioneering Women’ project, which shined a spotlight on the lives, careers and legacies of the talented and extraordinary women at the heart of the organisation.

  • Memorial to the Holocaust, 1999
  • Man Against The Odds III, 1986
  • Sanctuary, 1985
Naomi Blake FRBS at the Royal Society of Sculptors

Caroline Worthington, Director, Royal Society of Sculptors explained;

“Naomi Blake was a Fellow of the Society and her story really is one of the most extraordinary. After surviving Auschwitz and escaping a Nazi death march, she started a new life in Palestine and was involved in Israel’s war of independence. It was during her recovery from a shot wound that she started to carve an olive branch and commenced her awe-inspiring journey as a sculptor.

Blake’s sculptures symbolise hope and optimism in the face of adversity, a message which surely resonates with us all at the moment. We’re showing her work on our open sculpture terrace on South Kensington Road so that everyone has the chance to enjoy viewing them.”

Naomi Blake FRBS at the Royal Society of Sculptors

The works were kindly loaned by Blake’s children, Jonathan Blake and Anita Peleg;

"Our mother’s work is a subconscious expression of her experiences, through abstract and semi figurative forms.  Many of her pieces often contain a figure, often protected but later standing free. She said “there is something positive in the human figure – there’s a lot of good in people”, quite a remarkable thing to say after what she survived".

The opening of Blake’s exhibition coincided with Women’s History Month and followed the Society’s ‘Pioneering Women’ Conference. Held online on 10 March, the Conference explored how female sculptors trained, practised and forged careers within the typically male field of sculpture. The Pioneering Women project has been funded by the Paul Mellon Centre for Studies in British Art.